By now you have probably seen the deplorable photograph of Steven Spielberg posing and grinning in front of the Triceratops he bagged. If you haven’t I urge you to Google it. I would display the photo here, but I don’t want to promote this kind of despicable “sport.” You know how it goes—the more publicity something gets, the more people take part, and before you know it we’ll be seeing photographs of George Lucas standing triumphantly over a deceased Wookie and a mounted Ork head on the wall of Peter Jackson’s man cave.

There are many theories as to why Spielberg killed the Triceratops. Was it for the thrill? Maybe. As the director or producer of such high-adrenaline hits as Raiders of the Lost Ark, Poltergeist, Back to the Future, Men in Black, and many others, he does seem exceptionally drawn to extreme adventure.

Or could he have done it for the money? It’s possible. He’s only a paltry 151 on the Forbes list of the richest Americans. One wise pundit noted that he probably did it for the horns. After all, the medicinal benefits of powdered Triceratops horns are well documented from cave drawings (∆∆∆ 🙂 ) to oral Neanderthal lore (“Hohgn, hohgn, hohgn, gooohgd) to the texts of medical professionals around the world (∆∆∆ 🙂 ). There’s no telling what kind of fortune could be amassed through the sale of these beneficial horns.

Perhaps the horns are what Spielberg was after, but I believe there is a more sinister explanation to the death of this beloved beast. Before we tackle that, however, we must address the elephant in the room (address it—not kill it). If dinosaurs are alive now—and they most clearly are (well, except for…)—where are they?

I believe we have all been duped for a very long time. While the official story is that the dinosaurs became extinct after an asteroid hit the earth in what was until recently called the Cretaceous-Tertiary Mass Extinction Event or K-T event, I think the evidence demonstrates that it is all an elaborate hoax.

     Exhibit 1: While the name of the “asteroid hit” was once the Cretaceous-Tertiary Mass Extinction Event, the abbreviation is K-T event. Back in the day when Proofreaderasauruses still existed (I suppose they also were made extinct by an “asteroid hit?”), this kind of mistake would have been caught by a pterodactyl-eyed professional. Today in the Internet Period, however, errors like this roam both print and digital pages unchecked. Clearly, this “mass extinction” story was concocted recently.      

     Exhibit 2: The space-themed idea of the extinction event is no coincidence. I believe it came from the fertile mind of Steven Spielberg himself! Doesn’t it seem suspect that the extinction event is called K-T and one of Spielberg’s biggest theatrical releases is titled E-T? Obviously, Spielberg is up to his neck in the dinosaur extinction conspiracy. Flush with the success of his earlier movies Jaws and Close Encounters of the Third Kind (does anyone else see the pattern?), he never thought anyone would make the connection between E-T and K-T, and he allowed himself this little slip in originality.

So this leads us to the big question: Where are the dinosaurs? I suggest that instead of becoming extinct, they have all been captured and are being held hostage to an insatiable movie industry. They are being exploited for our enjoyment. How else can you explain the plethora of dinosaur movies dating back to the very beginnings of cinema? Did they have CGI technology back then? No! If, as we have been led to believe, all these Tyrannosaurs, Triceratops, Stegosaurus, Pachycephalosaurus, Ankylosaurs, and more died out eons ago, how have directors and cinematographers created the video for every dino film from 1914’s Gertie the Dinosaur to 2014’s Transformers: Age of Extinction (produced by none other than Steven Spielberg)?

A glance at some earlier films exposes a dark chapter in our nation’s history—one that continues to this very day. You only have to watch a few moments to wonder: If dinosaurs are really as simple and violent as the movies portray, would their fight scenes be so stilted? So transparently choreographed? Or are these traits merely stereotypes fostered by the movie industry to line their pockets?

Before you watch, I must warn you that some of the content is graphic.

Gertie the Dinosaur by Winsor McCay – 1914:

Here Gertie suffers pain and humiliating dance moves just so we can have a good laugh.

The Dinosaur and the Missing Link by Willis O’Brien – 1917:

In addition to a fight scene between a gorilla and an Apatosaurus (beginning at 4:47), this film contains the first known video of break dancing (at 4:07). And wouldn’t it have been funnier if “the drawing room of the country home,” as it is described in the film, had cave drawings on the walls?

The Ghost of Slumber Mountain by Willis O’Brien – 1918:

In this long film, an uncle tells his two nephews the story of when he, a companion, and their dog went camping on Slumber Mountain. There the uncle visits the abandoned cabin of Mad Dick, which contains books and bones of prehistoric animals. It is also haunted by Mad Dick’s ghost. In the cabin the uncle discovers a strange pair of binos, through which he can see dinos. At the 10:14 mark, the dinosaurs make their appearance. At the 14:00 mark the Triceratops enters. The action really gets going at 15:30, when a T-Rex joins the scene (if dinosaurs actually moved this slowly, they really would be extinct). A terrible struggle ensues, and once again the Triceratops is the loser.

If you read closely, you will see that the last frame at 17:57 could have used a Proofreaderasaurus. You will also see that this film employs that old dinosaur of a plot device: “it was all a dream.” Of course, since this movie is from 1918, perhaps it was a comic revelation.

The Lost World by Harry Hoyt from a story by Arthur Conan Doyle – 1925:

In this first scene, the Triceratops gives the Allosaurus his just reward

But once again the unfortunate Triceratops, after tasting a brief moment of triumph, is himself tasted.

1 Million Years B.C. by Ray Harryhausen – 1966:

In this scene a Ceratosaurus battles a Triceratops while Raquel Welch (wearing “mankind’s first bikini!”) and John Richardson (in his most defining role!) look on in horror. The most shocking thing about this clip is: who knew they had Bumpits! hair enhancers 1 million years ago?

So you can see that throughout history dinosaurs have been forced to wander forbidding landscapes, don preposterous colors, talk in ridiculous voices, hawk gasoline, perform hard labor at stone quarries, fight and “kill” one another, and, in the ultimate degradation, act alongside Jeff Goldblum. And now with Jurassic World coming hot on the heels of Spielberg’s Transformers: Age of Extinction dinobot travesty, I think the dinosaurs have said, “Enough is enough!”

I think they threatened to boycott the filming. Perhaps they even broached collective bargaining. Some dinosaurs may have brains the size of walnuts, but they’re not stupid. Over the years they have earned the studios, directors, producers, and investors billions of dollars, and they deserve respect, not oblivion. Is that too much to ask?

The photograph says it all. Yes, it was. When the Triceratops came to negotiate with Spielberg in good faith, he met his end. He made the ultimate sacrifice fighting so that all his kind could live a better life. Well, I say, “You go, dinos! Let’s see them make another dinosaur movie without you.” Won’t you join me in the quest to Free the Dinosaurs!? Don’t let Tricee have died in vain.